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Two fathers and sons skate around their feelings in Zee Zee Theatre’s latest production

Men Express Their Feelings | Zee Zee Theatre | Firehall Arts Centre | March 18 – April 3, 2022

It all started with a hug. Not an “appropriate man-to-man hug” that Brad’s father would have liked to see, but an embrace between two friends and teammates. Perhaps more than an embrace. Brad’s father, Mr. Bacon (Jeff Gladstone), comes to his own conclusions about what he saw in the locker room and confronts Raj’s father, Mr. Sharma (Munish Sharma), in the parking lot. Until they resolve their conflict off the ice, their sons can’t get back on the ice.

Nuns having fun with puns: Nunsense lets loose at Metro Theatre

Nunsense | Boone Dog Productions | Metro Theatre | March 11 – 27

Five nuns, tons of puns, and plenty of fun. Oh, and a puppet. That’s really all you need to know about this rollicking musical comedy of errors that sends up Catholic traditions. A group of nuns of the Mount Saint Helen’s convent come together to plan a talent show fundraiser after many of their sisters fall victim to poisonous vichyssoise soup.

Not just another dinner party play: Ominous Sounds calls theatrical representation into question

Ominous Sounds at the River Crossing; or, Another Fucking Dinner Party Play | Touchstone Theatre | Performance Works | March 6-13, 2022 | Streaming March 22 – April 10, 2022

“It’s just what we need in the year of our demise: another fucking dinner party play,” says a disgruntled actor in a moment of self-awareness. “We perform a stale little psycho-drama while nature collapses around us.” But this isn’t just another dinner party play; it’s a clever examination of the nuances and complexities about who has a right to tell which stories in contemporary theatre.

Mani Soleymanlou dissects identity and binary thinking in Zéro

Standing beside a mountain of chairs, Mani Soleymanlou tells the story of the night in Iran that his father was abducted and interrogated. He was a young child at the time and the family decided to immigrate to Canada to escape the violence in Iran. Now with a son of his own, he alternates between recounting the story of that night and talking about his hopes for his son, his struggle to define his own identity, and the grey areas between many binaries including the political left and right.

PuSh in person: The 2022 festival provided a captivating return to live theatre

PuSh International Performing Arts Festival | Various venues and streaming online | January 20 – February 6, 2022

One of the biggest thrills of this year’s PuSh Festival is seeing live theatre again. While this year’s festival saw three shows cancelled due to COVID-19 restrictions or infections, the diverse in-person line-up of theatre, dance, music, and multi-media works was refreshing—reminding us of the power of being together and sharing stories from both our own backyards and around the world.

Down an East Van rabbit hole at the Panto

East Van Panto: Alice In Wonderland | Theatre Replacement | The Cultch | York Theatre and online | November 24, 2021 – January 2, 2022

The evil Queen of Hearts, Jess Cheetos, owns a “super giant evil online store” that threatens to put East Van shops out of business, the White Rabbit sells cell phones, the Cheshire Cat (Amanda Sum) is a busker, Tweedle-Dee and Tweedle-Dumb are transit police officers, and the Mad Hatter presides over a leftist tea party on Commercial Drive. It’s Alice in Wonderland like you’ve never seen it before, full of local East Van references and political commentary.

Lights is a relatable story about how families care for each other

Lights | Touchstone Theatre | Firehall Arts Centre | December 2 – 12, 2021

“Do not let me stare at a picture and think it’s a window,” says Nancy (Susinn McFarlen) to her son. She worries that her Alzheimer’s will get so bad she’ll be placed in a dementia village where people look at pictures and think it’s the outside world. This concern for her future and resistance and denial of her condition is at the heart of Lights, a moving mother-son story about taking care of each other.

Via Katlehong Dance presents a bold condemnation of corruption

Via Kanana | Via Katlehong Dance | Digidance | February 16 – March 16

“Kanana” means the promised land that never comes in the Sotho language. Choreographer Gregory Magoma has created a bold, pulsing condemnation of corruption fusing pantsula, step, and gumboot to comment on the lack of change in South Africa since apartheid.

In the stars: Red Sky Performance’s Trace is a stunning display of embodied Indigenous knowledge

Trace | Red Sky Performance | DanceHouse, Full Circle First Nations Performance, and SFU Woodward’s Cultural Programs | SFU Goldcorp Centre for the Arts | November 24 – 27, 2021

Inspired by Anishinaabe sky and star stories, Trace is a powerhouse of athletic choreography and dynamic motion. Explosive live and recorded music, including throat singing, accompanies the six dancers who often move as one being.

Ballet BC returns to the stage with an exciting presentation including three world premieres

Unfold and Give | Medhi Walerski, Ethan Colangelo, Lesley Telford, Company 605 | Ballet BC | Queen Elizabeth Theatre | November 4-6, 2021

Ballet BC’s first live presentation since the start of the pandemic features three world premieres from Canadian choreographers along with a North American premiere from artistic director Medhi Walerski. The collective title of the evening, Unfold and Give, has little concrete significance but is a nice change from the usual generic “Program 1” type titles.

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